The Wit
The mark itself was born from the pareidolia effect—our brain’s glitchy tendency to see faces in inanimate objects. I realized that the humble envelope is already looking at us; the flap forms a jaw, the seal a mouth. I didn’t need to force a character onto the canvas; I just needed to exhume it. By using the form's geometric primitives—a rectangle base and a sharp triangular vector—and introducing a single, perfect circle into the space, the gestalt shifted instantly. It started being an entity. The resulting mark is a character caught in a permanent state of communication, mouth open to speak or receive, simultaneously a courier and assistant. It’s witty, but the wit is structural, not decorative.